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The sights of BroadcastAsia 2018

Sony had one of the larger presentation areas at the BroadcastAsia, and as you can see, its pro-system cameras were out on display. Pictured here is the HDC-4300 4K/HD system camcorder that captures 4K 2x and High-definition 8x super slow-motion video that is handy pertaining to sports coverage.

A selection of his or her smaller hand-held cameras were in addition on show, like the most current PXW-Z280 and PXW-Z190 cameras you see the following. The PXW-Z280 in particular is the world’s first handheld 4K tri-chip camcorder, in addition to comes with advanced face diagnosis autofocus.

They also had a special press event to publicize the launch of their newest VENICE camera. This is a full-frame 6K camera that could capture in almost any format, together with Super35 24.9 x 20.7mm, 4096×3024 (equivalent to 4-perforation motion picture film), as well as Super35 24.9×14.0mm (equivalent to 3-perforation motion picture picture).

Right next door, was Fujifilm’s booth. As you can see, they too had digital cameras set up with models within the scene for people to test out the products their broadcast lenses.

They furthermore had their very latest camera lenses on display, like the Fujinon UA46x9.5 the thing is here. This is a 4K compatible zoom lens that has a focal length of Hunting for.5mm to 437mm, making it suitable for reside production or aerial online video media. Because it uses the latest Excessive Transmission Electron Beam Coating (HT-EBC), this lens gives richer colors and better blue response and also transmittance.

Of course, Canon was also along at the show, and a variety of his or her broadcast cameras were out displayed, like the Full-Frame EOS C700 FF you see part way through the frame.

The EOS C700 FF was only announced in March at the moment, and is built around the latest Canon sensor that has a solution of 5,952 x Three,140 pixels with an facet ratio of 17:Hunting for (38.1 x Twenty.1mm). The camera uses Dual Pixel AF technology and offers a dynamic collection of 15 stops.

Speaking of camcorders, Red’s latest DSMC2 Monstro was also within the show. This is their innovative top-of-the-line 35.4MP 8K W CMOS sensor. It provides 17+ stops of dynamic vary, and is able to capture movie in REDCODE RAW at 8K Entire Format (8,192 x 4,320 pixels resolution) with up to 60 fps.

Audio Technica had a booth at the show far too, and they showcased a range of expert recording solutions with equally microphones and headphones.

The BP40 micro-ordinateur here for example, is shown in a typical home studio room format complete with speakers designed for playback and dual-screens for tracking the recording.

Also on display, were the new BPHS2 broadcast stereo headsets which include a low-profile, closed back, on-ear style based on the ATH-M60x. This uses the same 45mm large-aperture drivers and incorporates a hypercardioid vibrant microphone for better saving.

 

Beyerdynamic had two of their hottest products on show very. First up, the Phonum you see the following. This is a wireless Bluetooth speakerphone making use of a down-firing speaker to send tone out in a 360-degree manner across a room.

The Fox microphone, on the flip side, is a professional-grade USB studio micro that captures 24bit/96kHz studio grade quality sound and has zero-latency overseeing. It’s plug-and-play for easier link, so anyone from YouTubers for you to singer-songwriters can easily get started.

Speaking of mics and recorders, Zoom is additionally at the show. They’ve received a selection of their field camera at the show; handy to get today’s run-and-gun style of video fires.

The H1n here is the latest from Move, and this captures up to 24-bit audio tracks in rates of Forty-four.1, 48, or 96kHz. It’utes got a new monochromatic 1.25-inch Liquid crystal display, and one-touch button controls for any even simpler user experience.




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